Vietnamese Cuisine Essay

Vietnamese Cuisine Essay This paper shall look into the characteristics of Vietnamese cuisine, taking into account the countrys unique historical and social influences that have shaped their thinking and attitude towards food. Being a former colonial country in the Southeast Asia, Vietnam has been the context of various cultural and historical fusions (Dung and Linh 2007). The development of its cuisine from the earliest times bears the marks of new influences from other countries and tastes, helping to make a truly rich and unique collection of dishes that reflect the countrys history. As we have already noted, Vietnamese cuisine is unique for its cultural and historical influences. Vietnam is a long, narrow country on the lower portion of the Asian mainland, bordered by China, Cambodia, Laos and the Gulf of Thailand. The countrys geography has proven to be an important factor in shaping its cuisine and food production over the years. Because of the peculiar shape of their country, the natives tend to think of it as a bamboo pole with a basket of rice at each end. Geography has also lent specialties of each region a different flavour, because climate plays a big role in the availability of ingredients for different dishes. The northern cuisine is reflective of the countrys Chinese cooking heritage by specializing in dishes with soy sauce, noodle-based soups and stir-fried foods. Northern dishes are less flavourful than those found in the south or the middle portion of the country because its climate is not suitable for a large number of spices. Central Vietnam is abundant with fresh produce, and is characterized by its propensity to use extreme spices and to serve up colourful food that is reminiscent of the regions past as the seat of royalty. A traditional meal involves several complex dishes in very small portions. Finally, Southern cooking has been most heavily influenced by Thai food, such that their dishes are sweet or spicy in taste because it boasts of a climate that is suitable to a bigger number of spices. Immigrants from across the Cambodian border have also helped define the style and flavour of Southern Vietnamese cooking. This part of the country is also where the vestiges of French colonial cooking are most apparent. History, as we have already noted, plays an integral role in the development and fusion of Vietnamese food with other cultures. Almost ten centuries worth of Chinese domination in the country has left significant imprints in their cooking styles, as well as the particular dishes and the choice of ingredients. The French colonizers, on the other hand, influence the traditional Vietnamese menu by introducing various techniques of sautà ©ing. Vietnamese soups are also part of their French heritage. Other factors such as the socio-economic classes dictate on the availability of food products in the country, such that poorer people cannot afford to buy particular kinds of food because of higher prices. They are more likely to consume more rice and less meat and vegetable dishes, but this does not mean that they are enjoying their native cuisine less than the rich. The countrys dense population subsists mostly on carbohydrates in the form of rice, other grains and noodles. Vietnamese food is most popular for combining an array of vegetables, herbs and meats to come up with different meals (Dung and Linh 2007). Vietnamese cuisines usage of some some ingredients such as coconut and coconut milk is a characteristic that it shares with its Asian neighbours, but an authentic Vietnamese meal also boasts of culinary contributions from other countries, particularly China and France. It is also cooked using unique traditional styles that have been passed from generation to generation. Because of its propensity to use light ingredients and vegetables, Vietnamese food is one of the healthiest cuisines around the world today, which is a prime reason for why it is quickly becoming popular in a more health-conscious society. The diaspora of whole communities, coupled with the forces of globalization and capitalism, have also helped to propel Vietnamese cuisine to the forefront of the culinary world (Thomas 2004). Like other Asian countries, rice is a staple in the Vietnamese diet. It is grown in water paddies all around the country, but the climatic conditions at the Red River delta in the north and the Mekong river delta in the south are most favourable for this crop. Rice is the main source of carbohydrates (in the form of starch) in the peoples diet, eaten three times a day with a vegetable and/or meat main dish. Rice is also made into a variety of cakes, noodles, and desserts. Vietnam is currently the worlds third largest exporter of rice, and this commodity also holds a prime position in the countrys economy, apart from being a mainstay in the dining table. The country is still predominantly agriculture in nature, with a climate that can support a large variety of flora and fauna. Rice is usually consumed jointly by all the family members. The typical Vietnamese meal would include several main dishes, a soup and a bowl of rice for everyone. These are laid out on a table where the family members sit around and take their food from the dish platters with chopsticks-this is the only country in the Pacific and the Southeast Asian regions where people traditionally eat their meals with chopsticks. This habit is clearly one of the Chinese influences in Vietnamese cooking. The meal is usually not divided into courses and everything is served all at once. When the younger Vietnamese eat with their elders, they ask the latter to get their share of the food first as a sign of respect typical in the whole Asian region. Like the Chinese, traditional meals are also accompanied by a cup of tea, especially when there are guests around. The meal is not complete without vegetables on the side and a variety of small bowls filled with salty sauces in which the people dip their food. Vegetables are usually served as salads tossed in with beef or shrimp, in order to complement the strong flavour of the meaty main dish. The classic dip in these traditional family meals is a kind of salty fish sauce called nuoc mam. Apart from the land-grown rice, the countrys coastal and river areas provide another staple of the Vietnamese diet-fish and other aquatic species. The countrys two major rivers are an important source of seafood that help to balance the carbohydrate-rich diet of the locals. The rivers also serve as a way of transporting the goods to the local water markets, where fresh produce from the coastal villages are sold. In fact, seafood occupies a bigger portion in the Vietnamese diet than other meats such as pork, chicken or beef, which are usually consumed in smaller quantities. The Vietnamese cook their food in many ways, but unlike the Chinese, they prefer to keep the dish light by using as little oil as possible. While some viands are deep fried or stir fried, there are also a great number that are cooked by only boiling, tossing or steaming them. Vietnamese cooking is also not as rich or heavy as the curry-based dishes of Thailand, for example. The distinctive light and fresh flavour of the Vietnamese locals can be achieved by using a variety of spices and ingredients such as mint leaves, lemon grass, shrimp, native fish sauces, basi, garlic, and ginger. Cooking styles also vary from region to region, with the north preferring a lot of dishes that are slow-cooked or stir fried, whereas dishes in the south are mostly grilled or simply eaten raw. The Vietnamese are popular for being keen snackers, and they are rather fond of eating at street-side stalls or small shops specializing in a single dish, instead of the modern restaurants lining the streets in the cities. Their tradition of eating out is very strong even if most meals are cooked and eaten at home. The streets are filled with t sweet aroma of delicious snacks being cooked everywhere, because the Vietnamese are likely to stop anywhere and grab a bite whenever they feel hungry. Some of these roadside attractions are actually prestigious family restaurants that have been serving customers for many, many years. Tourists in Vietnam should, however, be a little wary of what they eat because of the presence of so many herbs and spices. People with allergies are especially susceptible because they may not know that the food they are eating contain an ingredient that they may be allergic to.

The Hunters: Moonsong Chapter Four

â€Å"Trust Bonnie to meet a cute guy on her first day at col ege,† Elena said. She careful y drew the nail-polish brush over Meredith's toenail, painting it a tannish pink. They'd spent the evening at freshman orientation with the rest of their dormmates, and now al they wanted to do was relax. â€Å"Are you sure this is the color it's supposed to be?† Elena asked Meredith. â€Å"It doesn't look like a summer sunset to me.† â€Å"I like it,† Meredith said, wiggling her toes. â€Å"Careful! I don't want polish on my new bedspread,† Elena warned. â€Å"Zander is just gorgeous,† Bonnie said, stretching out luxuriously on her own bed on the other side of the room. â€Å"Wait til you meet him.† Meredith smiled at Bonnie. â€Å"Isn't it an amazing feeling? When you've just met somebody and you feel like there's something between you, but you're not quite sure what's going to happen?† She gave an exaggerated sigh, rol ing her eyes up in a mock swoon. â€Å"It's al about the anticipation, and you get a thril just seeing him. I love that first part.† Her tone was light, but there was something lonely in her face. Elena was sure that, as composed and calm as Meredith was, she was already missing Alaric. â€Å"Sure,† Bonnie said amiably. â€Å"It's awesome, but I'd like to get to the next stage for once. I want to have a relationship where we know each other real y Well, a serious boyfriend instead of just a crush. Like you guys have. That's even better, isn't it?† â€Å"I think so,† said Meredith. â€Å"But you shouldn't try to hurry through the we-just-met stuff, because you've only got a limited time to enjoy it. Right, Elena?† Elena dabbed a cotton bal around the edges of Meredith's polished toenails and thought about when she had first met Stefan. With al that had happened since then, it was hard to believe it was only a year ago. What she remembered most was her own determination to have Stefan. No matter what had gotten in her way, she had known with a clear, firm purpose that he would be hers. And then, in those early days, once he was hers, it was glorious. It felt as if the missing piece of herself had slotted into place. â€Å"Right,† she said final y, answering Meredith. â€Å"Afterward, things get more complicated.† At first, Stefan had been a prize that Elena wanted to win: sophisticated and mysterious. He was a prize Caroline wanted, too, and Elena would never let Caroline beat her. But then Stefan had let Elena see the pain and passion, the integrity and nobility, he held inside him and she had forgotten the competition and loved Stefan with her whole heart. And now? She stil loved Stefan with everything she had, and he loved her. But she loved Damon, too, and sometimes she understood him – plotting, manipulative, dangerous Damon – better than she did Stefan. Damon was like her in some ways: he, too, would be relentless in pursuing what he wanted. She and Damon connected, she thought, on some deep core instinctive level that Stefan was too good, too honorable to understand. How could you love two people at the same time? â€Å"Complicated,† Bonnie scoffed. â€Å"More complicated than never being sure if somebody likes you or not? More complicated than having to wait by the phone to see if you have a date for Saturday night or not? I'm ready for complicated. Did you know that forty-nine percent of col ege-educated women meet their future husbands on campus?† â€Å"You made that statistic up,† Meredith said, rising and picking her way toward her own bed, careful not to smudge her polish. Bonnie shrugged. â€Å"Okay, maybe I did. But I bet it's a real y high percentage, anyway. Didn't your parents meet right here, Elena?† â€Å"They did,† Elena said. â€Å"I think they had a class together sophomore year.† â€Å"How romantic,† Bonnie said happily. â€Å"Well, if you get married, you have to meet your future spouse somewhere,† Meredith said. â€Å"And there are a lot of possible future spouses at col ege.† She frowned at the silky cover on her bed. â€Å"Do you think I can dry my nails faster if I use the hair dryer, or wil it mess up the polish? I want to go to sleep.† She examined the hair dryer as if it were the focal point of some science experiment, her face intent. Bonnie was watching her upside down, her head tipped back off the end of the bed and her red curls brushing the floor, tapping her feet energetical y against the wal . Elena felt a great sWellof love for both of them. She remembered the countless sleepovers they'd had al through school, back before their lives had gotten †¦ complicated. â€Å"I love having the three of us together,† she said. â€Å"I hope the whole year is going to be just like this.† That was when they first heard the sirens. Meredith peered through the blinds, col ecting facts, trying to analyze what was going on outside Pruitt House. An ambulance and several police cars were parked across the street, their lights silently blinking red and blue. Floodlights lit the quad a ghastly white, and it was crawling with police officers. â€Å"I think we should go out there,† she said. â€Å"Are you kidding me?† Bonnie asked from behind her. â€Å"Why would we want to do that? I'm in my pajamas.† Meredith glanced back. Bonnie was standing, hands on hips, brown eyes indignant. She was indeed wearing cute ice-cream-cone-printed pajamas. â€Å"Well, quick, put on some jeans,† Meredith said. â€Å"But why?† asked Bonnie plaintively. Meredith's eyes met Elena's across the room, and they nodded briskly to each other. â€Å"Bonnie,† Elena said patiently, â€Å"we have a responsibility to check out everything that's going on around here. We might just want to be normal col ege students, but we know the truth about the world – the truth other people don't realize, about vampires and werewolves and monsters – and we need to make sure that what's going on out there isn't part of that truth. If it's a human problem, the police wil deal with it. But if it's something else, it's our responsibility.† â€Å"Honestly,† grumbled Bonnie, already reaching for her clothes, â€Å"you two have a – a saving-people complex or something. After I take psychology, I'm going to diagnose you.† â€Å"And then we'l be sorry,† Meredith said agreeably. On their way out the door, Meredith grabbed the long velvet case that held her fighting stave. The stave was special, designed to fight both human and supernatural adversaries, and was made to specifications handed down through her family for generations. Only a Sulez could have a staff like this. She caressed it through the case, feeling the sharp spikes of different materials that dotted its ends: silver for werewolves, wood for vampires, white ash for Old Ones, iron for al eldritch creatures, tiny hypodermics to fil with poisons. She knew she couldn't take the stave out of its case on the quad, not surrounded by police officers and innocent bystanders, but she felt stronger when she could feel the weight of it in her hand. Outside, the mugginess of the Virginia September day had given way to a chil y night, and the girls walked quickly toward the crowd around the quad. â€Å"Don't look like we're heading straight over there,† Meredith whispered. â€Å"Pretend we're going to one of the buildings. Like the student center.† She angled off slightly, as if she was heading past the quad, and then led them closer, glancing over at the police tape surrounding the grass, pretending to be surprised by the activity next to them. Elena and Bonnie fol owed her lead, looking around wide-eyed. â€Å"Can I help you ladies?† one of the campus security men asked, stepping forward to block their progress. Elena smiled at him appealingly. â€Å"We were just on our way to the student center, and we saw everyone out here. What's going on?† Meredith craned her head to look past him. Al she could see were groups of police officers talking to one another and more campus security. Some officers were on their hands and knees, searching careful y through the grass. Crime scene analysts, she thought vaguely, wishing she knew more about police procedure than what she'd seen on TV. The security officer stepped sideways to block her view. â€Å"Nothing serious, just a girl who ran into a bit of trouble walking out here alone.† He smiled reassuringly. â€Å"What kind of trouble?† Meredith asked, trying to see for herself. He shifted, blocking her line of sight again. â€Å"Nothing to worry about. Everyone's going to be okay this time.† â€Å"This time?† Bonnie asked, frowning. He cleared his throat. â€Å"You girls just stick together at night, okay? Make sure to walk in pairs or groups when you're out around campus, and you'l be fine. Basic safety stuff, right?† â€Å"But what happened to the girl? Where is she?† Meredith asked. â€Å"Nothing to worry about,† he said, more firmly this time. His eyes were on the black velvet case in Meredith's hand. â€Å"What have you got in there?† â€Å"Pool cue,† she lied. â€Å"We're going to play pool in the student center.† â€Å"Have a good time,† he said, in a tone of voice that was clearly a dismissal. â€Å"We wil ,† Elena said sweetly, her hand on Meredith's arm. Meredith opened her mouth to ask another question, but Elena was pul ing her away from the officer and toward the student center. â€Å"Hey,† Meredith objected quietly, when they were out of earshot. â€Å"I wasn't done asking questions.† â€Å"He wasn't going to tel us anything,† Elena said. Her mouth was a grim straight line. â€Å"I bet a lot more happened than someone getting into a little trouble. Did you see the ambulances?† â€Å"We're not real y going to the student center, are we?† Bonnie asked plaintively. â€Å"I'm too tired.† Meredith shook her head. â€Å"We'd better loop back behind the buildings to our dorm, though. It'l look suspicious if we head right back where we came from.† â€Å"That was creepy, right?† Bonnie said. â€Å"Do you think† – she paused, and Meredith could see her swal ow – â€Å"do you think something real y bad happened?† â€Å"I don't know,† Meredith said. â€Å"He said a girl ran into a little bit of trouble. That could mean anything.† â€Å"Do you think someone attacked her?† Elena asked. Meredith shot her a significant look. â€Å"Maybe,† she said. â€Å"Or maybe something did.† â€Å"I hope not,† Bonnie said, shivering. â€Å"I've had enough somethings to last me forever.† They'd crossed behind the science building, down a darker, lonelier path, and circled back toward their dorm, its brightly lit entryway like a beacon before them. Al three sped up, heading for the light. â€Å"I've got my key,† Bonnie said, feeling in her jeans pocket. She opened the door, and she and Elena hurried into the dorm. Meredith paused and glanced back toward the busy quad, then, past it, at the dark sky above campus. Whatever â€Å"trouble† had happened, and whether the cause was human or something else, she knew she needed to be in top condition, ready to fight. She could almost hear her father's voice saying, â€Å"Fun time is over, Meredith.† It was time to focus on her training again, time to work toward her destiny as a protector, as a Sulez, to keep innocent people safe from the darkness.

The Tell Tale Heart And The Yellow Wallpaper - 983 Words

Edgar Allen Poe’s â€Å"The Tell-Tale Heart† and Charlotte Perkins Gilman’s â€Å"The Yellow Wallpaper† share a common theme of insanity. Simple objects in these stories drove the main characters to insanity. These characters share similar traits, but also differ. Their surroundings and environment are factors that caused their behavior. Both characters seemed trapped. Both character’s minds were trapped with the thought of the item that drove them crazy. In â€Å"The Tell-Tale Heart† a man is obsessed with an eye that belongs to an old man he lives with. This story is told from a first person point of view by the main character, whose name is never mentioned. The first thing he tells the reader multiple times is that he is not mad, only nervous. He claims that once the thought of the eye entered his brain it was all he could think about. The man did not hate the old man, but there was something about the eye that made his skin crawl. â€Å"For his gold I had no desire. I think it was his eye! Yes, it was this! One of his eyes resembled that of a vulture-a pale blue eye, with film over it,† (37). He believed the eye was disgusting and the only way to permanently get rid of it was to take the old man’s life. This man stays awake at night and watches the old man sleep while he plans to do something about the eye. The eighth time the narrator sneaks into the man’s room while he’s sleeping, the old man i s awoken by a noise and then is murdered by the man. A neighbor hears a scream and calls theShow MoreRelatedThe Tell Tale Heart And The Yellow Wallpaper Essay1619 Words   |  7 Pagesâ€Å"The Tell-Tale Heart† and â€Å"The Yellow Wallpaper† each depict a personal viewpoint of mentally ill characters, who both differ and are alike in various aspects of â€Å"madness.† Edgar Allan Poe’s character denies a presence of madness entirely, yet blames a physical ailment instead. As deeply disturbed as the character seems because of the eye, he abruptly decides to eradicate what he believes is the primary issue rather than considering attempting to heal his own â€Å"disease.† Charlotte Gilman’s story differsRead More Madness in The Yellow Wallpaper and The Tell-Tale Heart1679 Words   |  7 PagesMadness in The Yellow Wallpaper and The Tell-Tale Heart Compare the portrayal and use of madness in The Yellow Wallpaper by Charlotte Perkins Gilman and The Tell-Tale Heart by Edgar Allan Poe. Which story did you prefer and why? The Yellow Wallpaper by Charlotte Perkins Gilman and the Tell-Tale Heart by Edgar Allen Poe both describe characters who in the opinion of other people are insane. The characters hysterical behaviour due to their insanity is depicted as the stories progress. TheRead MoreThe Yellow Wallpaper and the Tell Tale Heart Analysis1189 Words   |  5 PagesHawkins 1 Deidre Professor Connors English 102-15 March 12, 2011 Narrative Unreliability and Symbolisms in â€Å"The Tell -Tale Heart† and â€Å"The Yellow Wallpaper† â€Å"The Tell -Tale Heart† by Edgar Allan Poe, was released in 1843. It is one of Poe’s shortest stories and provides a look into paranoia and mental deterioration. â€Å"The Yellow Wallpaper† by Charlotte Perkins Gilman, was released in 1899. This story also provides a look into mental deterioration and had been misinterpreted when it wasRead MoreA Tell Tale Heart By Edgar Allan Poe1156 Words   |  5 Pagesthe stories we read in class contain some level of madness. For example in the short stories â€Å"The Yellow Wallpaper† by Charlotte Perkins Gilman â€Å"The Tell-Tale Heart† by Edgar Allan Poe, both of the main character in these stories believe that they are perfectly wise, but their out of control behaviors proves that they’re mentally ill or to be more specific insane. In the short story â€Å"A tell-tale heart† the unknown narrator is telling us a story about his neighbor who is an old man but his of a vulture:Read MoreTell Tale Heart and the Yellow Wall Paper1321 Words   |  6 Pagesstories â€Å"The Tell Tale Heart† by Edgar Allen Poe, and â€Å"The Yellow Wall Paper† by Charlotte Perkins Gilman. Even though their writing styles are far apart they deal with a similar issue. Both authors deal with the fragility of the human mind. Both stories are very interesting and hold you to the core perhaps it is because any truly sane person knows that there is a little madness in all of us. Maybe that is why many people still read their stories today. In the story â€Å"The Tell Tale Heart† the narratorRead MoreEdgar Allen Poe and Charlotte Perkins Are Unreliable Narrators: A Discussion1013 Words   |  4 Pageswere two prominent American writers that explored the psychological constructs of the characters contained within their short stories. In The Tell-Tale Heart, by Poe, the unnamed narrator maintains that he is not mad despite the fact that he has murdered someone in the process of trying to destroy an Evil eye. On the other hand, in The Yellow Wallpaper, by Perkins, the unnamed narrator recognizes that her nerves have contributed to her descent into madness. It can be argued that both unnamedRead More Characterization of Women in The Yellow Wallpaper and Desirees Baby1323 Words   |  6 PagesCharacterization of Women in The Yellow Wallpaper and Desirees Baby  Ã‚   There was a time (not so long ago) when a mans superiority and authority wasnt a question, but an accepted truth. In the two short stories, Desirees Baby, and The Yellow Wallpaper, women are portrayed as weak creatures of vanity with shallow or absent personalities, who are dependent on men for their livelihood, and even their sanity. Without men, these women were absolutely helpless and useless. Their very existenceRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman1179 Words   |  5 Pagesoppression, especially while trying to deal with her post-partum depression. As a result, she was inspired to write the short story â€Å"The Yellow Wallpaper† in which she tells the tale of a woman that has a severe mental break due to her mental illness. The narrator is also heavily oppressed by her husband and represents the society of her time. â€Å"The Yellow Wallpaper† expresses the oppression of women through the husband’s control over the narrator in which she is isolated, treated as a child, and forcedRead MoreFiction Essay: Yellow Wallpaper and Story of the Hour1517 Words   |  7 Pagesï » ¿Victoria Reyes English 104-OL5 Professor Steiner September 9, 2013 â€Å"The Yellow Wallpaper and Story of The Hour: A Character Analysis† Marriage has often been described as one of the most beautiful and powerful unions one human can form with another. It is the sacred commitment and devotion that two people share in a relationship that makes marriage so appealing since ancient times, up until today. To have and to hold, until death do us part, are the guarantees that two individuals makeRead MoreThe Tell Tale Heart Essay1071 Words   |  5 Pagesthe narrator tells the story about how there is a killer on the college campus, and in the end we find out he is the killer. â€Å"The Yellow Wallpaper† by Charlotte Perkins Gilman is a story from the perspective of a mentally ill woman, who is on a summer stay at a colonial mansion, and her husband makes her stay in a bedroom to treat her mental illness, however the result is compromised due to the wallpaper in the room making her feel more ill than ever before. Lastly â€Å"The Tell-Tale Heart† by Edgar Allan

Contrasting Friedman and Lindblom on Economic Systems...

The current issues that have been created by the market have trapped our political system in a never-ending cycle that has no solution but remains salient. There is constant argument as to the right way to handle the market, the appropriate regulatory measures, and what steps should be taken to protect those that fail to be competitive in the market. As the ideological spectrum splits on the issue and refuses to come to a meaningful compromise, it gets trapped in the policy cycle and in turn traps the cycle. Other issues fail to be handled as officials drag the market into every issue area and forum as a tool to direct and control the discussion. Charles Lindblom sees this as an issue that any society that allows the market to control†¦show more content†¦Yet, the discussion of what business should be allowed to do and how free the market should be still prevents movement forward because there is opposition. There are voices of the people that call for the privilege of polit ical equality that we are supposed to be guaranteed as citizens of a democratic state. They yell loud enough to be heard and to have support but rarely have the financial backing that has become increasingly necessary to make a difference. This political equality is key to a democratic state and the looming knowledge that it is not present shows that we may well be living in a state run by oligarchs. The power and wealth that they have accumulated is so substantial that the vote guaranteed to each American becomes a symbol of the freedom this country once knew but has lost. Lanchester explains this in depth in his book, I.O.U. Why Everyone Owes and No One Can Pay through his description of what created the financial crisis and the utter lack of punishment that resulted for those that caused such wide spread suffering. He, along with Tony Judt, give the financial crisis and the â€Å"privileged position of business† a human face that reflects the struggles of the everyday pers on that lost because of predatory lending practices, bad stock, and the spiral effects that led to high unemployment rates and the worst crisis the world hasShow MoreRelatedOrganizational Behaviour Analysis28615 Words   |  115 Pagesorganisations 1 . Nevertheless, Organisation Theory has its main roots in the social sciences specifically psychology and sociology, with some elements taken more broadly from areas such as anthropology and ethnography, as well as occasional incursions from economics, political ‘science’, and industrial relations. There are also some elements taken from the arts and humanities such as philosophy, history and (very controversially) literary and art criticism. It is, then, a broad field which, to add to the confusionRead MoreOrganisational Theory230255 Words   |  922 Pagesorganization theory with several new thinkers and ideas. Pedagogically a well-structured book with many clear learning objectives, cases, examples and good summaries f or every chapter. Professor Martin Lindell, Hanken Business School, Swedish School of Economics and Business Administration, Finland This book makes it easier to understand the current stand of organization theory. I strongly recommend it to anyone seriously interested in the different intellectual traditions that contribute to our understandingRead MoreExploring Corporate Strategy - Case164366 Words   |  658 Pagesmajor crime? Ericsson – innovation from the periphery: the development of mobile telephone systems. Direct Care – strategy development in the multistakeholder context of public sector services. BBC – structural changes to deliver a better service. Sony (B) – more structural changes at the high-tech multinational. Web Reservations International – growth of an Irish SME company through its online reservation system and business model. NHS Direct – using communication and information technology to provide